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51%
Overall Rating
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Ranked #7,348
...out of 20,324 movies
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A young zombie named Otto appears on a remote highway. He has no idea where he came from or where he is going. After hitching a ride to Berlin and nesting in an abandoned amusement park, he begins to explore the city. Soon he is discovered by underground filmmaker Medea Yarn, who begins to make a documentary about him with the support of her girlfriend, Hella Bent, and her brother Adolf, who operates the camera. Meanwhile, Medea is still trying to finish Up with Dead People, the epic political-porno-zombie movie that she has been working on for years. She convinces its star, Fritz Fritze, to allow the vulnerable Otto to stay in his guest bedroom. When Otto discovers that he has a wallet that contains information about his past, before he was dead, he begins to remember details about his ex-boyfriend, Rudolf. He arranges to meet him at the schoolyard where they met, with devastating results.
--TMDb
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There is very little you can do with a zombie film these days that can be considered original. It's just one of those genres that has basically been tapped out creatively. But leave it to the Germans to prove me wrong. "Otto; or Up with Dead People" is a zombie film with a different slant -- it's aimed at homosexual audiences. Strand Releasing has just dumped the film into a few markets and will then usher a swift DVD release.
The film centers around Otto (Jey Crisfar), a gay zombie having somewhat of an identity crisis. Throughout the film -- some of which is told in documentary format, and other parts in short film flashbacks -- we learn about the new 'gay zombie' movement. The character of Otto is really an empathetic character and the crux of the film deals with his inability to be accepted by his own kind, even though they are zombies. Some of the scenes are very sexual and very graphic and some of the people I saw it with found it difficult to watch.
What makes "Otto" such a unique experience is that it prevails with this overriding sense of humor and whimsy that you don't expect. The film is one-parts comedy, one-parts horror and one-parts character study. You really do see the character of Otto developed fully, so much so that you start rooting for him, even when he's doing something you don't approve of necessarily. "Otto" struck me as one of those arthouse films that wants to prove a point but realizes it has to package itself a certain way in order to do so. But the film is shot just beautifully. The music is fantastic, especially the utilization of the band CocoRosie.
I don't think this film is necessarily for everyone. It's intended for fans of gay subject matter and it's intended for individuals who can handle the 'supposed' German sense of humor. Think "Sprockets" on acid. But "Otto" is one of the most original and engaging zombie films likely ever made and it really does prove that you can do more with the genre if you just alter your audience base a little. Be warned -- there's plenty of nudity and gay sexuality and more blood and guts than you would imagine. But it's a fine film. Weird, but fine. 8/10.
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#1:
Chad
- added July 16, 2009 at 1:53pm
This was actually a great film, but I agree that
it's not for everyone. Some will be put off by
the strong arthouse vibe that drives things along
while others will be turned away by the graphic
(and I do mean graphic) sex scenes, but those who
stick with it will find a damned fine storyline
here. I also enjoyed the way that the storyline
wasn't quite what it appeared to be on the
surface, and though I won't spoil it, it was
certainly a fresh way to handle the traditional
zombie film. Great movie. 9/10, and I'm only
docking a point because it got a little too arty
for its own good in certain parts.
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